PD Dr. Beatrice Schuchardt (Professorship substitute)
Vertreterin der Professur WiSe 21/22 u. SoSe 22
NamePD Dr. Beatrice Schuchardt
Professur für Französische Literatur- und Kulturwissenschaft
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TUD Dresden University of Technology
Fakultät Sprach-, Literatur- und Kulturwissenschaften
Institut für Romanistik
01062 Dresden
Table of contents
Since April 2023, Beatrice Schuchardt has held the Chair of French Studies at the University of Wuppertal.
Vita
1997-2002 |
Master's degree in Romance Studies (French; Spanish) and English Studies at Heinrich Heine University Düsseldorf (HHU). Tutor in the BA Cultural Studies and Media; Student Assistant. |
2002-2005 |
Doctorate on postcolonial images of history with Assia Djebar at the HHU; DFG scholarship holder. |
09/2005 |
Doctorate summa cum laude at the HHU; appointed Dr. phil. |
2005-2007 |
Postdoc: Research Associate at the Department of Romance Studies at HHU; Chair Prof. Dr. Vittoria Borsò. |
2007-2019 |
Postdoc: Research Assistant at the Romance Department of the University of Siegen with Prof. Dr. Christian von Tschilschke. |
2019-2020 |
Postdoc: Research Assistant in Ibero-Romance Literary Studies at the Westfälische Wilhelms-Universität Münster (WWU) with Prof. Dr. Christian von Tschilschke. |
07/2020 |
Venia legendi for Romance Literary Studies (Spanish and French). |
07/2020-09/2021 |
Private lecturer in Ibero-Romance Literary Studies at the WWU. |
from 10/2021 |
Deputy Head of Chair of French Studies at the TU Dresden. |
AWARDS AND SCHOLARSHIPS
06.07.2021 |
Awarded the prize of the University Society of the Westfälische Wilhelms-Universität Münster e.V. for "outstanding scientific achievements" in the field of "literary representations of economics" |
2002-2005 |
Doctoral scholarship from the DFG as part of the Research Training Group 807: "European Representations of History". |
Core research areas
- The anthropologization of the economic in the theater of the European Enlightenment.
- Representations of migrations across the water in texts and images of Francophone and Hispanophone literatures, comics, films and press reports (Maghreb; France; Spain; French Canada, Caribbean).
- Performance subjects à rebours.
- The epistomail genre (France, Spain, Latin America).
- Neo-colonialisms in French travelogues of the Soixante-Huitards.
- The (dis)power of images: Latin American media icons in pop and net culture from día de los muertos to Frida Kahlo.
- Trauma and memoria in the subgenres of the Latin American novela negra.
PUBLICATIONS
A. MONOGRAPHIES
in print (expected to appear 08/2022) |
[2] The Anthropology of the Economic in Spanish Theater, 1762-1805. From vir oeconomicus to femina profusa. Frankfurt/Main: Vervuert. Habilitation thesis. |
2006 |
[1] Writing on the border. Postcolonial images of history in Assia Djebar, Cologne: Böhlau. Dissertation. Discussed by:
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B. COLLECTED COLLECTIONS
expected to be published 08/2022 |
[3] with Christian von Tschilschke (ed.): Protagonists of Production in Preindustrial European Literature (1700-1800). Male and Female Entrepreneurs, Craftspeople, and Workers, New York: Peter Lang. |
2014 |
[2] with Urs Urban (ed.): Handel - Handlung - Verhandlung. Theater and Economy in the Early Modern Period in Spain, Bielefeld: transcript. |
2008 |
[1] with Vera Gerling et al. (eds.): das andere denken, schreiben, sehen. Essays by Vittoria Borsò, Bielefeld: transcript. |
C. ARTICLES
Articles in specialist journals
2022 |
[37] "Flowers, princesses, commodities. Ambivalent representations of Caribbean immigrants in Spanish migration films", in: Hispanorama 175, 1, 38-42. |
[36]: "El décimo infierno de Mempo Giardinelli: Sujetos de rendimiento y topología de la violencia en una novela posdetective", in: i-Mex 11, 21, 84-98. URL: https://www.imex-revista.com/xxi-decimo-infierno-giardinelli/, accessed: 18.02.2022. | |
2021 |
[35] "La esclavitud en el espejo de la Ilustración, la religión y el liberalismo. El negro sensible (1798/1825) como secuela transatlántica", in: Dieciocho 44,2 (Fall), 349-370. URL: https: //dieciocho.uvacreate.virginia.edu/44.2/7.Schuchardt.44.2.pdf, accessed: 31.03.2022. |
2016 |
[34] "In the labyrinth of city and text. Abdelkébir Khatibi's Triptyque de Rabat and La mémoire tatouée", in: Romanische Studien 4, Internet: http://www.romanischestudien.de/index.php/rst/article/view/108/513 (accessed: 30.08.2021). |
[33] "Économies amoureuses: homologies structurales dans les comédies espagnoles et françaises du XVIIIe siècle (Moratín, Iriarte, Destouches et Marivaux)", in: L'homme et la société 200, 2, 171-187. |
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2011 |
[32] "Hippies on orientalist journeys", in: ROSA. Journal for Gender Studies 40, 37-39. [31] "La mémoire tatouée d'Abdelkébir Khatibi comme auto-contour: signes nomades du corps et écriture autobiographique", in: Expressions maghrébines 10, 1, 65-82. [30] "La route de Luc Vidal comme récit de voyage hippie: ses intertextes, ses idéologèmes et son public", in: Revue critique de fixxion française contemporaine 2, 78-94. Web: http://www.revue-critique-de-fixxion-francaise-contemporaine.org/rcffc/article/view/ fx02.07 (accessed: 30.08.2021). |
2008 |
[29] "L'amour, la fantasia by Assia Djebar. A Postcolonial Staging of History and (Inter-)Media", in: Arena Romanistica. Journal of Romance Studies 2, 146-163. |
Articles in encyclopedias and handbooks
2020 |
[28] "El género policial y narrativas del crimen", in: Mahlke, Kirsten/Reinstädler, Janett/Spiller, Roland (eds.), Trauma y memoria cultural. Hispanoamérica y España, Berlin/Boston: de Gruyter, 309-319. |
2013 |
[27] "Cultural Crossover: Interculturality", in: Maurer Queipo, Isabel (ed.), Directory of World Cinema. Latin America, Vol. 17, Bristol: Intellect Books, 28-29. [26] "Frida", in: Maurer Queipo, Isabel (ed.), Directory of World Cinema. Latin America, Vol. 17, Bristol: Intellect Books, 202-203. |
Articles in anthologies
to be published in 2021 |
[25] "Die Performanz der Dinge in sentimentalen Wirtschaftskomödien der spanischen Spätaufklärung", in: Nickenig, Annika/Urban, Urs (eds.), Dinge - Waren - Güter. The Subject of Economic Action in the Romance Literatures of the Early Modern Period. Series: Prolegomena. Contributions to the Romance cultures and literatures. Stuttgart et al: J.B. Metzler. |
2019 |
[24] "The Figures of the Honorable Merchant and the Philanthropic Entrepreneur-Paternalist in Eighteenth Century Spanish Sentimental Comedies", in: Lütge, Christoph/Strosetzki, Christoph (eds.), The Honorable Merchant - Between Modesty and Risk-Taking, Wiesbaden: Springer, 119-142. [ |
2018 |
[23] "HLM and RER. Französischer Hip-Hop und Slam im Kräftefeld von Peripherie und Zentrum", in: Hülk, Walburga/Schwerter, Stephanie (eds.), Mauern, Grenzen, Zonen. Divided Cities in Literature and Film, Heidelberg: Winter, 145-166. [22] "La figura del mercader honrado en el contexto de la comedia sentimental española del siglo XVIII: el ejemplo de El hombre agradecido (1796) de Comella", in: Strosetzki, Christoph (ed.), El poder de la economía: la imagen de los mercaderes y el comercio en el mundo hispánico de la Edad Moderna, Madrid: Vervuert, 353-372. [21] "Escenificaciones del hogar burgués en el teatro dieciochesco: espacio familiar, espacio comercial", in: Strosetzki, Christoph (ed.), Aspectos actuales del hispanismo mundial. Literatura - Cultura - Lengua, Berlin: De Gruyter, 332-343. |
[20] "Freundschaft und die Ökonomie der Affekte in sentimentalen Komödien der spanischen Aufklärung", in: Schlünder, Susanne/Stahl, Andrea (eds.), Affektökonomien im 18. Jahrhundert, Munich: Fink, 259-280. |
|
2017 |
[19] "Las Indias como espacio de oportunidades económicas en el teatro español del siglo XVIII: de comerciantes y empresarios", in: Heras, Natalia/Lorenzo Álvarez, Elena de (eds.), España y el continente americano en el siglo XVIII, Madrid: Ediciones Trea, 197-214. |
[18] "Ehrbarkeit und ökonomisches Handeln im spanischen Theaters des 18. Jahrhunderts: Der Kaufmann und der Fabrikant", in: Lütge, Christoph/Strosetzki, Christoph (eds.), Zwischen Bescheidenheit und Risiko. The Honorable Merchant in the Focus of Cultures, Wiesbaden: Springer, 125-150. |
|
2015 |
[17] "Fe y prosperidad. Sobre la conexión entre lo religioso y lo económico en La industriosa madrileña y El fabricante de Olot (1789) de Francisco Durán", in: Ebenhoch, Markus/Österbaur, Veronika (eds.), La religión, las letras y las luces: El factor religioso en la Ilustración española y hispanoamericana, Frankfurt/Main u.a.: Peter Lang, 109-122. |
[16] "Collage between resistance and appropriation. Filmische Transpositionen des Kahlo-Gemäldes Allá cuelga mi vestido in Julie Taymor's Film Frida (2002)", in: Tschilschke, Christian von/Cedeño Rojas, Maribel/Maurer Queipo, Isabel (eds.), Lateinamerikanisches Kino der Gegenwart. Themes, Genres / Styles, Directors, Tübingen: Stauffenburg 2015, 139-162. |
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2014 |
[15] "Of petimetres and petimetras. Structures of economy and waste in Nicolás Fernández de Moratín's La petimetra (1762) and Tomás de Iriarte's El señorito mimado (1787)", in: this/Urban, Urs (eds.), Handel, Handlung, Verhandlung. Theater und Ökonomie in der frühen Neuzeit in Spanien, Bielefeld: transcript, 269-282. |
2014 |
[14] "Collage entre resistencia y apropiación: Transposiciones cinematográficas del cuadro Allá cuelga mi vestido de Frida Kahlo en el filme Frida de Julie Taymor", in: Ceballos, René/de Toro, Alfonso (eds.), Frida Kahlo 'revisitada'. Estrategias transmediales - transculturales - transmediales, Hildesheim: Olms, 91-113. |
2013 |
[13] "Transmedial text-image relationships: The dance figure as a manifestation of 'literary imagery' in 19th century Spanish Costumbrismo. The example of Serafín Estébañez Calderon", in: de Toro, Alfonso (ed.), TRANSLATIO: Transmedialité et transculturalité en littérature, peinture, photographie et au cinéma, Hildesheim: Olms, 207-226. |
2012 |
[12] "Adaptaciones (trans-)mediales de la obra de Frida Kahlo: Entre apropiación y resistencia", in: Gronemann, Claudia/Sieber, Cornelia (eds.), Frida Kahlo: Fiestas infinitas de máscara: actos performativos de feminidad y masculinidad en México, Hildesheim: Olms, 63-79. |
2011 |
[11] "Manifestations de l'interstice dans La disparition de la langue française d'Assia Djebar", in: Asholt, Wolfgang/Calle-Gruber, Mireille/Combe, Dominique (eds.), Assia Djebar, littérature et transmission. Colloque de Cerisy, 23-30 juin 2008, Paris: Presses Sorbonne Nouvelle, 365-382. |
2010 |
[10] "Der neue historische Politroman als hybrides Genre im postkolonialen Kontext: La disparition de la langue française von Assia Djebar", in: Borsò, Vittoria/ Liermann, Christiane/Merziger, Patrick (eds.), Die Macht des Populären. Politics and Popular Culture in the 20th Century, Bielefeld: transcript, 165-188. [9] "La langue de la chair comme lieu de rencontre de l'altérité dans Les nuits de Strasbourgd'Assia Djebar", in: Bensmaia, Réda/Gafaiti, Hafid/Toro, Alfonso de/Zekri, Khalid (eds.), Repenser le Maghreb et l'Europe. Hybridations - Métissages - Diasporisations, Paris: L'Harmattan, 183-200. [8] "Migrierende Transkriptionen in Assia Djebars Les nuits de Strasbourg", in: Kailuweit, Rolf/Pfänder, Stefan/Vetter, Dirk (eds.), Migration und Transkription - Frankreich, Europa, Lateinamerika, Berlin: BWV, 209-220. |
2009 |
[7] "Räume der Heimsuchung - Räume der Vertreibung im Werk Marie-Célie Agnants", in: Müller, Gesine/Stemmler, Susanne (eds.), Raum - Bewegung - Passage. Postcolonial Francophone Literatures, Tübingen: Narr, 165-180. |
2008 |
[6] "Reisen auf dem Hippie-Trail: Luc Vidals La route - mon journal de hippie", in: Treskow, Isabella von/Tschilschke, Christian von (eds.), 1968 - 2008. Bilanz einer kulturellen Formation, Tübingen: Narr, 173-195. [5] "Fragmenter et faire flotter: À propos de l'esthétique postcoloniale de transition dans Femmes d'Alger dans leur appartement d'Assia Djebar", in: Arend, Elisabeth/Reichardt, Dagmar/Richter, Elke (eds.), Histoires inventées - Etudes sur la représentation du passé dans les littératures francophones, Frankfurt/Main: Peter Lang, 85-99. [4] "Surrealism goes Hollywood. Julie Taymor's Frida", in: Lommel, Michael/Maurer-Queipo, Isabel/Roloff, Volker (eds.), Surrealism and Film, 251-269. |
2007 |
[3] "Deux couleurs bleu: Opacité et différence dans Le livre d'Emma de Marie Célie Agnant", in: Febel, Gisela/Struve, Karen/Ueckmann, Natascha (eds.), Écritures transculturelles .Cultural difference and gender difference in the contemporary French-language novel. Series: Cahiers lendemains. Tübingen: Narr, 189-204. |
2005 |
[2] "(Inter-)Medial Transformations of History in Marguerite Duras' Hiroshima mon amour", in: Klein, Christian et al. (eds.), Geschichtsbilder. Construction - Reflection - Transformation. Cologne: Böhlau, 311-336. |
2004 |
[1] "Assia Djebar's L'amour, la fantasia als postkoloniale Geschichts-Installation", in: Ochsner, Beate/Sick, Franziska (eds.), Medium und Gedächtnis: Von der Überbietung der Grenze(n), Frankfurt/Main u.a.: Peter Lang, 143-156. |
Reviews
in progress (2021) |
(5) "Concernant Die Ökonomie der Literatur. The literary genealogy of economic man de Urs Urban (2018)". In: Fabula.org (4) "On the anthology Das Haus schreiben, ed. by Christia Schaefers and Simon Zeisberg". In: Germanisch-Romanische Monatsschrift. |
2021 |
(3) "La diversidad de los archivos: Reseña de la monografía Interferencias del archivo de Wolfgang Bongers". In: Taller de Letras 69, 183-188. URL: http: //tallerdeletras.letras.uc.cl/index.php/TL/article/view/45957 from 25.12.2021, accessed: 12.03.2022. |
2016 |
(2) "Texts and the City: Post/Colonial Cities as Crossroads and Intersections of Literatures, Cultures and Media." On the volume Villes coloniales, métropoles postcoloniales. Représentations littéraires, images médiatiques et regards croisés, ed. by Hans-Jürgen Lüsebrink and Sylvère Mbondobari. In: Romanische Studien, Vol 2, 5, 419-432. Web: https://www.romanischestudien.de/index.php/rst/article/view/233 (accessed: 30.08.2021). |
2010 |
(1) "O'Riley, Michael: Postcolonial Haunting and Victimization. Assia Djebar's New Novels." In: Lendemains 35, no. 137, 149-153. |
INTERNATIONAL LECTURES
07/2021 |
(43) Tagung Unheimliche Codes, Kanäle und Apparaturen: Medienreflexion und Mediengewalt in französischsprachigen Literaturen / Codes, voies de transmission et appareils inquiétants: Réflexion médiatique et violence des médias dans les littératures francophones, Karl-Franzens-Universität Graz. Lecture: "From raft and ark |
06/2021 |
(42) International Conference The Dream of the Mountain. Berge in ästhetischen Traumdarstellungen zwischen Symbolik und Erfahrungsraum / Mountain Dreams. Mountains in aesthetic dream representations, Saarland University. Lecture: "Mountain visions in French hippie travelogues. Intertextual meandering and the search for God". Virtual format. |
05/2021 |
(41) Colloque international de Cerisy-la-Salle: Art/Argent: l'économie à l'œuvre. Table ronde: Commerces du théâtre, théâtralizations de l'argent. Lecture: "De la brouette du vinaigrier au panier du chiffonnier. La mise en scène des secteurs économiques dans le théâtre sentimental espagnol et français". Virtual format of the Universities of Paris 1, Paris 8 and Paris 10 in collaboration with the Centre culturel international de Cerisy. Virtual format. |
09/2020 |
(40) Workshop Moral Economy Revisited of the Center for Interdisciplinary Research at Bielefeld University. Panel: "What is moral economy? Plenary discussion and impulses". Contribution: "Moral Economy in eighteenth century Spanish sentimental comedies". Virtual format. |
07/2020 |
(39) 2nd Research Day of the Department of Philology, University of Münster. Lecture: "Die Politische Ökonomie auf den spanischen Bühnen des ausgehenden 18. Jahrhunderts". Virtual format. |
09/2020 |
(38) Workshop Moral Economy Revisited of the Center for Interdisciplinary Research at Bielefeld University. Panel: "What is moral economy? Plenary discussion and impulses". Contribution: "Moral Economy in eighteenth century Spanish sentimental comedies". Virtual format. |
01/2020 |
(37) Conference Things, commodities, goods. The Subject of Economic Action in the Romance Literatures of the Early Modern Period, Humboldt-Universität zu Berlin. Lecture: "The performance of things in sentimental economic comedies of the Spanish late Enlightenment". |
09/2018 |
(36) Interdisciplinary Workshop Economic Agency between Misfortune and Failure, Humboldt-Universität zu Berlin. Panel: Misfortune and Failure in Eighteenth Century Literature and Economics. Open discussion of the project participants. |
06/2017 |
(35) International Conference For what it's worth. Challenging and Negotiating Value in Literature and Economic Theory, University of Mannheim. Lecture: "The value of luxury in 18th century Spain. Minor or major vice?". |
11/2016 |
(34) Congreso Internacional de la Sociedad Española de Estudios del Siglo XVIII: España y el continente americano en el siglo XVIII, Universidad Complutense, Madrid. Lecture: "Discursos económicos y literarios sobre las Indias en el teatro español del siglo XVIII: De comerciantes y empresarios". |
09/2016: |
(33) International Conference Villes divisées. Représentations, mémoires, réalités, Université de Valenciennes et du Hainaut-Cambrésis. Lecture: "Paris centrifuge - Paris centripète: Passages entre center et périphérie dans le Hip Hop et le Slam". |
09/2016: |
(32) Francoromanist Conference, Saarbrücken. Section: Productivité performative-hybride-nomadique-frontalière. Lecture: "Espaces diasporiques - labyrinthes urbaines: Traversée de frontières, zones de contacts, éclats de l'autrui". |
07/2016 |
(31) Conference of the Asociación internacional de Hispanistas, University of Münster. Section: Espacios en el teatro español desde sus principios hasta la actualidad. Lecture: "Escenificaciones del hogar burgués en el teatro dieciochesco: espacio sentimental - espacio comercial". |
07/2015 |
(30) XXIV Romance Studies Conference, University of Mannheim. Section: Affect economies in the 18th and 19th centuries in France and Spain. Lecture: "Freundschaft und Empfindsamkeit als Maximen ökonomischen Handelns in sentimentalen Komödien der spanischen Aufklärung". |
11/2014 |
(29) Workshop: Gewalt und kollektive Erinnerung im 20./21. Jahrhundert: die mediale Verhandlung von Traumata in den romanischen Erinnerungskulturen, Universität Hamburg. Lecture: "Trauma, violence and aphasia. Blank spaces, strategies and aporias in Latin American and Francophone postcolonial novels of the present". (28) VII Research Day France and Francophonie, University of Leipzig. Lecture: "Economies of love. Structural homologies in French and Spanish comedies of the 18th century. Destouches - Marivaux - Moratín - Iriarte". |
09/2014 |
(27) Conference Der ehrbare Kaufmann zwischen Bescheidenheit und Risiko. Academy for Political Education, Tutzing. Lecture: "Ehrbarkeit und ökonomisches Handeln anhand zweier Figurenentypen des spanischen Theaters des 18. Jahrhunderts: Der Kaufmann und der Industrielle". |
05/2013 |
(26) International conference Représentations littéraires et théories économiques: Études comparées, Université I Panthéon-Sorbonne. Lecture: "Économie et discours amoureux dans le théâtre espagnol et français du XVIIIe siècle. Une étude comparée". |
04/2013 |
(25) VI. Research Day France and Francophonie, University of Siegen. Chair and moderation together with Christian von Tschilschke, Siegen. |
03/2013 |
(24) Hispanists' Day, University of Münster. Section: Religiosos, ilustrados, científicos y literatos: El factor religioso en la Ilustración española e hispanoamericana. Lecture: "Fe y prosperidad. Sobre la conexión entre la religiosidad y la aptitud económica en el teatro español del siglo XVIII". |
06/2012 |
(23) Working meeting of the project New Diasporas within Globalization. Inter-/Trans-Identity, Inter-/Trans-Nation, Hebrew University, Jerusalem. Lecture: "Metropolis as diaspora in the works of francophone Haitian authors Marie Célie Agnant and Marie Thérèse Colimon-Hall with an Excourse to Edwidge Danticat". |
06/2011 |
(22) International Colloquium Inter-/Transmediality and -culturality in Literature, Painting, Photography, Film, University of Leipzig. Lecture: "Text becoming Image: Dancing Bodies and 'Literary Iconicity' in 19th Century Spanish Costumbrismo". |
03/2011 |
(21) Hispanists' Day, University of Passau. Own section Handel, Handlung, Verhandlung. Theater and Economy in Spain from the Early Modern Period to the Beginning of Modernity (16th-18th century), together with Urs Urban, Strasbourg. Lecture: "Of petimetras and petimetres. Structures of an economy of waste in neoclassical comedies of the 18th century". |
06/2010 |
(20) Conference Strategies of Authorship, University of Mannheim. Lecture: "Male discourses of order in Spanish theater of the 18th century". |
05/2010 |
(19) International Colloquium La pensée et les stratégies hybrides Abdelkébir Khatibi, Université de Meknès/Morocco. Lecture: "Le labyrinthe comme structure dans l'oeuvre de Khatibi: Résistances de l'espace urbain". |
06/2009 |
(18) Research colloquium Blickpunkt Lateinamerika, University of Mannheim. Lecture: "Collage between appropriation and resistance: Frida Kahlo's Allá cuelga mi vestido". |
04/2009 |
(17) II. Research Day France and Francophonie, University of Leipzig. Lecture: "Résistances de la voix. Marie-Célie Agnant et le droit à la différence". |
11/2008 |
(16) International Colloquium Frida Kahlo Revisited. Estrategias transmediales - transculturales - transmediales en la obra de Frida Kahlo, University of Leipzig. Lecture: "Traspasos fronterizos en la obra de Frida Kahlo". |
09/2008 |
Francromanists' Day, Augsburg. (15) Lecture: "Bright colors, exotic charms: Orientalisms in the French hippie travelogue". (14) Lecture: "La construction de l'espace dans l'oeuvre de Marie-Célie Agnant". |
06/2008 |
(13) Colloque Assia Djebar: littérature et transmission, Center Culturel International de Cerisy-la-Salle. Lecture: "Manifestations de l'interstice dans La disparition de la langue française d'Assia Djebar". |
07/2007 |
(12) VI Research Meeting Latin America / Iberian Peninsula, Leipzig. Lecture: "Surrealism goes Hollywood. Hybridity against its will in Julie Taymor's Frida". |
11/2006 |
(11) Conference Transcriptions et migrations, Freiburg. Lecture: "Migrations transcrites: Assia Djebar". (10) Day of Research, Düsseldorf. Lecture: "Blurring the Borders. Transgression and image frenzy in Frida Kahlo". |
09/2006 |
(9) Francoromanist Conference, Halle. Lecture: "Différence culturelle et sexuelle dans Le livre d'Emma de Marie-Célie Agnant". |
07/2006 |
(8) German-French Atelier Materiality of Production, Düsseldorf. Lecture: "Intermedial productions of materiality between image and text". |
07/2005 |
(7) Leeds Medieval Congress, Leeds/England. Lecture: "Deconstructing Colonial Historiography in Assia Djebar. Postmodern concepts of the historical source". |
03/2005 |
(6) European Doctoral Colloquium Transfigurations of Power. Politics, Mediation and Popularity, Menaggio/Italy. Lecture: "The New Historical Novel in Algeria. Link Between Political Criticism and Historical Deconstruction". |
09/2004 |
(5) Francoromanist Conference, Freiburg. Lecture: "Fragmenter et faire flotter. On the postcolonial aesthetics of transition in Femmes d'Alger dans leur appartement by Assia Djebar". |
06/2004 |
(4) Forum junge Romanistik, Wuppertal. Lecture: "Body Talk. The language of the body as a meeting place of alterities in Assia Djebar's Les nuits de Strasbourg". |
11/2003 |
(3) Retreat of the Graduiertenkolleg Europäische Geschichtsdarstellungen, Bad Münstereifel. Panel: Historiography and literature with Ansgar Nünning. Lecture: "L'Europe en ses marges, l'Europe plurielle: Intermediale Innen- und Außensichten europäischer Historiographie in Text und Bild maghrebinischer SchriftstellerInnen". |
09/2003 |
(2) XXVIII. German Romance Writers' Conference, Kiel. Lecture: "Assia Djebars L'amour, la fantasia als postkoloniale Geschichtsinstallation". |
02/2003 |
(1) Presentation of the Graduiertenkolleg Europäische Geschichtsdarstellungen at the Sapienza di Roma, Rome/Italy. Lecture: "The New Historical Novel of the Maghreb. Inside and Outside Perspectives on European Historiography in Words and Images". |