Film series: Klöster im Kino

Research Center for Comparative History of Religious Orders (FOVOG) and Kino im Kasten (KiK) continue film series "Klöster im Kino".

Cinema is a place that opens up worlds - metaphorically, but always also in real terms. Films not only show images, they produce them and in this way shape our cultural memory. In films we see what otherwise remains hidden from us - at the price, of course, that they in turn cover up such images that we have formed from reading or our own observation.

Admittedly, for most people in the 21st century, monasteries are places they do not know from their own experience - at least those that not only present themselves as museums, but in which women or men still live according to a fixed and binding order, i.e. monastically. So it can be said: what we know about monasteries, we know very essentially through media mediation, whereby film has a special role to play. It is comparatively unimportant whether it is a historical film set in the Middle Ages or a current crime scene. What both have in common is the character of what is portrayed: Monasteries are always different.

Why monasteries are different and how this otherness is presented is now to be experienced and understood in the cinema itself: In the coming summer semester, the Research Center for Comparative History of Religious Orders (FOVOG) at the TU Dresden would like to start a two-semester film series "Monasteries in the Cinema" together with Kino im Kasten (KiK), the TU's student-run university cinema. In particular, feature films will be shown in which monastic life is the central subject, but also selected documentaries.

This film series will be accompanied by a course run jointly by FOVOG and the Chair of Media Studies and Modern German Literature. Within this framework, students will not only be able to familiarise themselves with the world of monasteries and religious orders, but also receive an introduction to the methods of analysing feature films and documentaries - because understanding how films work also means understanding how our cultural memory is filled. In addition to the monasteries, the seminar will also focus on theories of fictional spaces, which monasteries exemplify in film. Building on this, the semiotisation of cinematic spaces and the cinematic reflection of the change in meaning of these 'other spaces' in the context of social developments will be examined.

Such an approach lends itself for several reasons: On the one hand, monasteries are a phenomenon with a long history and in constant exchange with the world around them. On the other hand, they function as spaces of mystery and secrecy, despite the fact that they have been highly influential in society for a long time. This makes monasteries projection surfaces not only for needs but also for fantasies.

Even if their social significance has clearly receded in the modern age, monasteries still stand for a certain life model of searching - traditionally for God, today perhaps more generally for meaning. They are places of silence and prayer, but also cultural, scientific or economic centres. They are places of retreat, but have played a significant role in shaping the world over the centuries. They are places that always belong to other, otherworldly spaces - the transcendent. The fact that monasteries as places of otherness are nevertheless generally known and occupied with certain ideas today, despite their increasing real disappearance, is largely due to their presence in film.

The film series begins on 2 May at 8 p.m. in the KiK with Jacques Rivette's film version of Diderot's "The Nun" (1966) - an impressive film about the urge for freedom and social conventions, which caused such a stir when it was released that it was immediately banned again. It becomes clear that monasteries still move the modern age.

Programme

Franziskus von Assisi
Mo, 08.05. | 20:00 Uhr
USA 1961 - 106 min - Michael Curtiz
Rise or retreat? The rich bourgeois son Francis chooses poverty, his friend Paolo worldly fame. Star director Michael Curtiz ("Casablanca") tells the life of the saint as a double biography. – Classic Holloywood adaptation of an astonishing story of transformation.

Die Nonne
Mo, 22.05. | 20:00 Uhr
DEU/FRA/BEL 2013 - 112 min - Guillaume Nicloux
Where to send a daughter from a good family when the money runs out? To a convent, her parents decide. Will Suzanne (Pauline Étienne) succeed in escaping their plans? – This remake of the Diderot novel (1792) transposes the dark story of a young woman's struggle for her rights into surprisingly bright convent rooms.

Benedetta
Mo, 5.06. | 20:00 Uhr
FRA 2021 - 131 min - Paul Verhoeven
How true are miracles? And who believes in them? The young nun Benedetta is a saint - or is she? Paul Verhoeven looks into a women's convent in the time of the plague: the day is structured according to plan, but the uncanny always breaks through – a film with powerful images about power and truth.

Der Name der Rose
Mo, 19.06. | 20:00 Uhr
BRD/FRAU/IT 1986 - 126 min - Jean-Jacques Annaud
Dark secrets, treacherous murders and a lost book. William of Baskerville (Sean Connery), a medieval Sherlock Holmes, takes up the investigation of a sinister monastery with his "Dr. Watson" (a.k.a. Adlatus Adson).... – Influential film adaptation of Umberto Eco's bestselling novel, which once triggered a medieval trend that continues to this day.

Sister Act
Fr, 30.06. | 20:00 Uhr
USA 1992 - 100 min - Emile Ardolino
Can it work when a bar singer is hidden away in a convent of all places - and as the only woman of colour among all the white nuns? – The surprise success of 1992 made gospel singing internationally popular and is a great homage to the power of music.

Broken Silence
Mo, 3.07. | 20:00 Uhr
Schweiz 1995 – 106 min - Wolfgang Panzer
A Swiss silent monk is sent out into the world to save the survival of his monastery. In Indonesia. Can he reconcile the secular and the divine mission? – Modern road movie in which the hero has to make his own decisions more and more often.