Publications

Monographs

  • Pavimenti decorati del Quattrocento in Italia (James-Ackerman-Award for the History of Architecture 3), Venezia: Marsilio 2008
  • The Library of the Badia Fiesolana: Intellectual history and education under the Medici (1462-1494), Florence: SISMEL 2013
  • The Intellectual Education of the Italian Renaissance Artist, New York: Cambridge University Press 2021

Papers and Edited Volumes (Selection)

2004-2015

  • “Oliviero Carafa committente all’antica nel Succorpo del Duomo di Napoli“, in: Römische Historische Mitteilungen (RHM) 46, 2004, pp. 165-200
  • “Biblioteche: l’architettura e l’ordinamento del sapere“, in: Il Rinascimento italiano e l’europa, vol. 6: L’architettura del Rinascimento in Italia, ed. by Donatella Calabi and Elena Svalduz, Costabissara, Fondaziona Cassamarca 2010, pp. 199-228 (with Joseph Connors)
  • “Pavimenti veneziani e lo spazio architettonico“, in: Kunsttexte 01/2011
  • “The Marble Philosophers”, conference proceedings of the Annual conference of the Renaissance Society of America 2010 in Venice, Panel: Representations of Philosophers in Art, ed. by Helen Langdon, in: Kunsttexte 2/2011
  • “Peripatetici pariter et platonici: Poliziano and Pico della Mirandola and the library of the Badia Fiesolana”, in: The Artist as Reader. On Education and Non-Education of Early Modern Artists, in: Intersections. Yearbook for Early Modern Studies, v. 27, ed. by Claus Zittel, Michael Thimann, Heiko Damm, Vera Koppenleitner, 2012, pp. 367-383
  • “Il futuro del pavimento cosmatesco”, in: La Cattedrale di Cività Castellana, ed. by Luca Creti, Rome 2012, pp. 233-246
  • “The umbilico of the world: the pavement of the Roman Capitol”, in: Renaissance Studies in Honor of Joseph Connors, ed. by Louis A. Waldmann and Machtelt Israels, Florence 2013, pp. 333-338, 841-842

2015-2020

  • “Schriften des Origenes in Florentiner Bibliotheken der Frührenaissance“, in: Origenes Humanista. Pico della Mirandolas Traktat ‚De salutate Origenis disputatio‘, ed. by A. Fürst and C. Hengstermann, Münster 2015, pp. 99-111
  • “Picturing the Badia Fiesolana as a Medicean academic locus amoenus”, in: The Badia Fiesolana – Augustinian and Academic locus amoenus in the Florentine hills. Conference publication, ed. by Angela Dressen and Klaus Pietschmann, Berlin: LIT Verlag, 2016, pp. 21-32
  • “Bernard Berenson’s Cinquecentine – A bibliophile and his Renaissance library”, in: I Tatti Studies, 2017, pp. 229-252
  • “From Dante to Landino: Botticelli’s Calumny of Apelles and its sources”, in: Mitteilungen des Kunsthistorischen Institutes in Florenz, 2017, pp. 324-339
  • “Grenzen und Möglichkeiten der digitalen Kunstgeschichte und der Digital Humanities – eine kritische Betrachtung der Methoden”, in: Critical Approaches to Digital Art History, ed. by Angela Dressen and Lia Markey, Kunsttexte 4/2017 
  • “Open Access und Open Data – wo stehen wir?”, in: Bibliothek. Forschung und Praxis, 2018, 42, 1, pp. 1-8
  • “Blütenlese: Meißener Porzellan aus der Sammlung Tono Dreßen”, ed. by Angela Dressen, text by Michael Unterberg, Berlin: Deutscher Kunstverlag, 2018

2020-2026

  • “Botticelli’s Primavera and contemporary commentaries”, in: Neoplatonism and Art in the Renaissance: Perspectives and Contexts of a Controversial Alliance, ed. by Berthold Hub and Sergius Kodera, Toronto: Routledge 2021, pp. 137-159
  • “From Digital Literacy to Data Literacy: How much Digital Literacy do we need in the Art History curriculum?”, in: International Journal for Digital Art History, 2021-2022, volume 6, 5.3-5.7.  DOI: https://doi.org/10.11588/dah.2021.6.81735
  • „Leonardo’s Bestiary as a Reading Key for Moral Allegories”, in: L’IDEA», I.1 • Testi Fonti Lessico, 2024, pp. 7-31. URL: https://lidea.abaroma.it/articoli/leonardos-bestiary-as-a-reading-key-for-moral-allegories-284. DOI: 10.69114/LIDEA/2024.178-284.
  • “Medieval and Early Modern European, African and Asian ivory seen through the Data Lens”, in: Cultural Heritage Data for Research, ed. by Angela Dressen, OLHJ 2025. URL: https://olh.openlibhums.org/article/id/16575/ . DOI: https://doi.org/10.16995/olh.1657.
  • “Cultural Heritage Data for Research”, ed. by Angela Dressen, in: OLHJ 2024. Participants: Robert Sanderson, Toby Burrows, Jeffrey Steward, Natalie Rothman, Kirsta Stapelfeldt, Nicola Carboni, Marilena Daquino, David Newbury, Matthew Westerby, Angela Dressen, 2024-2025. URL: https://olh.openlibhums.org/issue/905/info/
  • “Cultural Heritage Data for Research – An Introduction”, in: Cultural Heritage Data for Research, ed. by Angela Dressen, OLHJ 2025. URL: https://olh.openlibhums.org/article/id/18710/ . DOI: https://doi.org/10.16995/olh.18710
  • “Leonardo’s and Botticelli’s Allegories between allegorical Layering and Satire”, in: kunsttexte.de, 3, 2025, pp. 1-37. URL: https://journals.ub.uni-heidelberg.de/index.php/kunsttexte/article/view/113462. DOI: 10.48633/KSTTX.2025.3.113462. “Kunsttexte – 25 Jahre Diamond Open Access-Publizieren”, ed. by Angela Dressen, Susanne Gramatzki, Elmar Kossel, in: Kunsttexte 2026-01. DOI: https://doi.org/10.48633/ksttx.2026.1
  • “Museums at the Digital Turn: From service promoters to research partners”, Access to Cultural Goods in Digital Change, University of Münster, edited by Ursula Frohne and Reinold Schmücker, 2026, Access points 7. DOI:10.17879/21928646676. URN: urn:nbn:de:hbz:6-219286

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Anastasiia Vasiutina
Last modified: Jul 08, 2026