AREM2022
AREM2022
Symposium on Archiving and Re-Performing Electroacoustic Music
Am 9. und 10. Dezember findet die AREM2022 statt.
Schedule:
Friday, 9.10.2022; 14.00 – 17.30 p.m. (Berlin time)
14.00 – 14.15 Virtual doors open
14.15 – 14.30 Welcome (Miriam Akkermann)
14.30 – 16.00 Session 1 – Strategies and Approaches
Giulia Sarno Connecting the dots: activation strategies for an archive of electronic music
Hannah Bosma Archiving STEIM
Nausikaä El Mecky The Danger of Uploading an Image – Some thoughts on the ephemeral eternity of digital archives
16.00 – 16.30 Coffee Break
16.30 – 18.00 Session 2 – Data and Access
Sarah Mai Dang Situating Sources. On Research Data Management and Film History
David Lewis Music Encoding and Linked Data: A flexible approach to sharing musical information online
Saturday, 10.12.2022; 9.15 – 12.45 a.m. (Berlin time)
9.15 – 9.30 Virtual doors open
9.30 – 11.00 Session 3 – Sources
Mikako Mizuno Archiving on text documentation and/or events information; multiple sources of Japanese electroacoustic pieces
Serge Lemouton, Miller Puckette Preventive restoration of early real-time repertoire pieces
Andreas Münzmay tba
11.00 – 11.30 Coffee Break
11.30 – 12.30 Session 4 – Dynamics
Karin Lingnau Aspects of collecting the immaterial and the speculative
Annet Dekker The tension between static documentation and
dynamic art
12.30 Farewell
Das Symposium findet online auf Zoom statt, die Teilnahme ist kostenfrei, Anmeldung ist jedoch erforderlich. Bitte senden Sie hierzu eine Email mit Angabe Ihres Namens und Ihrer Institution bzw. Ort.
Mehr Infos unter https://arem2022.wordpress.com/