Publications

Publications (monographs, handbooks and articles) regularly arise from the research context of the employees and are published by various publishers and specialist journals.
Below you will only find an overview of the monographs, edited volumes and handbooks published to date.

Irina Gradinari, Dorit Müller, Johannes Pause (eds.) (2014): Film as a space of knowledge
Tobias Nanz (2010): Border traffic. A media history of diplomacy
Anna Häusler, Jan Henschen (eds.) (2017): Storyboarding. Cinematic design
Stobbe, Johannes (2017): The politicization of the archaic. Studies on the transformation of Greek tragedy in German- and English-language drama and theater since the 1960s.
Rupert Gaderer, Lars Koch, Elena Meilicke, Timm Ebner (eds.) (2016): Paranoia. Readings and excesses of suspicion.
Cover des Buches "Paranoia" Turia + Kant 2016 © Turia + Kant

Further information can be found at

http://www.turia.at/titel/paranoia.php

Tobias Nanz, Bernhard Siegert (eds.) (2006): ex machina - Contributions to the history of cultural techniques
Tobias Nanz, Johannes Pause (eds.) (2015): Politics of the event. Media formations of past and future
Cover des Buches von Tobias Nanz und Johannes Pause (Hg.): Politiken des Ereignisses. Mediale Formierungen von Vergangenheit und Zukunft. © transcript Verlag

Further information:
http://www.degruyter.com/view/product/430084?format=EBOK&rskey=pLURI8&result=6

Tanja Prokić (2009): Introduction to Michel Foucault's Methodology. Archaeology - Genealogy - Critique
Johannes Pause (2012): Textures of time. On the transformation of aesthetic concepts of time in contemporary German-language literature
Lars Koch, Tobias Nanz, Christina Rogers (eds.) (2019): The Great Disruptor. On Trump, the media and the politics of disparagement.
Jörn Ahrens, Michael Cuntz, Lars Koch, Marcus Krause, Philipp Schulte (2014): The Wire. Analyses of the cultural diagnostics of popular media
Anna Häusler, Elisabeth Heyne, Lars Koch, Tanja Prokic (2020): Hurt and insult. Attempts at a theatrical critique of disparagement
Anna Häusler (2014): Blind spots. Event readings
Anna Häusler, Martin Schneider (eds.) (2016): Ereignis Erzählen. Special volume of the Journal of German Philology
Tanja Prokić (ed.) (2014): Takashi Miike
Alf Lüdtke, Tobias Nanz (eds.) (2015): Sounds, images, texts. Register of the archive
Tanja Prokić (2011): Critique of the narrative self. On the (im)possibility of self-technologies in modernity. A narrative
Waltraud "Wara" Wende, Lars Koch (eds.) (2010): Crisis Cinema. Film analysis as cultural analysis: On the construction of normality and deviation in feature films
Lars Koch, Tobias Nanz, Johannes Pause (eds.) (2018): Disruption in the Arts. Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions
Tanja Prokić, Anne Kolb, Oliver Jahraus (eds.) (2011): Against Representation. Presence/narration in literature, film and the visual arts
Anna Häusler, Jan Henschen (eds.) (2011): Topos Tatort. Fictions of the real
Stephanie Heimgartner, Solvejg Nitzke, Simone Sauer-Kretschmer (2020): Tree and text. New perspectives on ramified relationships
Tobias Nanz, Johannes Pause (eds.) (2013): Filming the unthinkable. Nuclear war in the cinema
Frank Almai, Annette Teufel (eds.) (2022): "There must be order in the madhouse!" Paul Adler - texts, constellations and contexts.
Cover des Buches von Frank Almai und Annette Teufel (Hg.): "Es muss Ordnung im Irrenhaus sein!" Paul Adler - Texte, Konstellationen und Kontexte, Dresden: Thelem 2022. © Thelem

"Es muss Ordnung im Irrenhaus sein!" Paul Adler - Texte, Konstellationen und Kontexte herausgegeben von Annette Teufel und Frank Almai Lesecher - Judentum in Mitteleuropa, Band 6 Thelem 2022.

Link: https://www.thelem.de/thelem/literatur-kulturwissenschaft/85540-teufel-almai-hg-es-muss-ordnung-im-irrenhaus-sein/

Oliver Jahraus, Tanja Prokić (eds.) (2017): Orson Welles' 'Citizen Kane' and Film Theory: 16 Model Analyses.
Tobias Nanz, Armin Schäfer (eds.) (2013): Cultural techniques of the Baroque. Ten attempts
Elisabeth Heyne (2020): Sciences of the Imaginary. Collecting, seeing, reading and experimenting with Roger Caillois and Elias Canetti
Julia Dettke / Elisabeth Heyne (eds.) (2016): Play spaces and spatial games in literature.
Anna Häusler, Martina Vannayová (eds.) (2008): Land Surveys. Theater Landscapes in Central and Eastern Europe
Lars Koch (ed.) (2007): Modernization as Americanization? Lines of development in West German culture 1945-1960 (with the collaboration of Petra Tallafuss)
Lars Koch, Marianne Vogel (eds.) (2006): Imaginary worlds in conflict - war and history in German-language literature since 1900
Peter Clar, Julia Prager (eds.) (2021): What remains of fragments of a language of love.
Lars Koch (ed.) (2013): Angst. An interdisciplinary handbook
Lars Koch (2005): The First World War as a Medium of Counter-Modernism - On the Works of Walter Flex and Ernst Jünger
Nitzke, Solvejg (2017): The production of catastrophe. The Tunguska Event and the Programs of Modernity.
Lars Koch, Torsten König (eds.) (2020): Between hostility and self-victimization. Emotional politics and the aesthetics of populist communication
Mario Grizelj, Oliver Jahraus, Tanja Prokić (eds.) (2014): Before the theory. Immersion - Materiality - Intensity. Film - Medium - Discourse
Lars Koch, Christer Petersen, Joseph Vogl (eds.) (2011): Incidents
Niels Werber, Stefan Kaufmann, Lars Koch (eds.) (2014): First World War. Handbook of cultural studies
Niels Werber, Stefan Kaufmann, Lars Koch (eds.) (2014): First World War. Handbook of cultural studies

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Angelika Gleisberg
Last modified: May 02, 2024