Historical panel paintings and cupboards
© ISD
CULTWOOD - User workshop on the research project (program)
For registration or questions please use the following mail address:
CULTWOOD - at the international CollectionCare conference in Valencia Spain from 1.-3. December 2021 online
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Flyer of Conference
Project
Numerical analysis tool for the simulation and risk estimation of climatic and mechanical loaded works of art made of wood
Research topics
- validation of partial models to describe the short- and long-term behaviour of wood by experiments for investigating individual phenomena
- determination of mechanical and hygric properties of surface coatings of exemplary objects
- joining the partial models to an overall model
- validation of the overall model by replica of a panel painting by L. Cranach the Elder (Altar of Saint Catherine, left wing, inner side) and of a historical cupboard
- if necessary the adaption of methods and adjustment of the used material parameters
- application: simulate original works of art in characteristic/critical scenarios
- goal: prohibition of damage and resource-saving, efficient air conditioning in exhibition- and storerooms
Founded by
Federal Ministry of Education and Research
https://www.validierungsfoerderung.de/validierungsprojekte/cultwood
In collaboration with
Dresden University of Fine Arts www.hfbk-dresden.de/en/
Staatliche Kunstsammlungen Dresden (Dresden State Art Collections) www.skd.museum/en/
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validation object: Panel painting by Lucas Cranach the Elder - Left wing of the altarpiece of Saint Catharine from the Castle Church of Wittenberg from 1506 (today old masters gallery Dresden, State Art Collection Dresden) a) panel painting b) old supporting structure of 19th c) new supporting structure d) explosion view for framing analysis e) detailed replica of the panel f) idealised reproduction of the painting layers g) Photogrammetric measurement and evaluation h) development of FEm-Models i) FEM simulations
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validation object: Historical painted cupboard with Upper Lusatian provenance from 1759 (today Saxon Museum of popular Art Dresden/ State Art Collection Dresden) a) painted cupboard b) 3D-Simulation for representation of framing technology c) detailed relpica of the cupboard d) idealised monochrome reproduction of the painting layers e) Development of FEM-Models